I was suffering from a condition called aphasia, a consequence of the trauma my brain had suffered. Even as I was muttering nonsense, my mum did me the great kindness of ignoring it and trying to convince me that I was perfectly lucid. But I knew I was faltering. In my worst moments, I wanted to pull the plug. I asked the medical staff to let me die. My job—my entire dream of what my life would be—centered on language, on communication. Without that, I was lost.
I was sent back to the I.C.U. and, after about a week, the aphasia passed. I was able to speak. I knew my name—all five bits. But I was also aware that there were people in the beds around me who didn’t make it out of the I.C.U. I was continually reminded of just how fortunate I was. One month after being admitted, I left the hospital, longing for a bath and fresh air. I had press interviews to do and, in a matter of weeks, I was scheduled to be back on the set of “Game of Thrones.”
The “Game of Thrones” creators David Benioff and D. B. Weiss have said that Daenerys Targaryen is a blend of Napoleon, Joan of Arc, and Lawrence of Arabia.Photograph by Helen Sloan / HBO
I went back to my life, but, while I was in the hospital, I was told that I had a smaller aneurysm on the other side of my brain, and it could “pop” at any time. The doctors said, though, that it was small and it was possible it would remain dormant and harmless indefinitely. We would just keep a careful watch. And recovery was hardly instant. There was still the pain to deal with, and morphine to keep it at bay. I told my bosses at “Thrones” about my condition, but I didn’t want it to be a subject of public discussion and dissection. The show must go on!
Even before we began filming Season 2, I was deeply unsure of myself. I was often so woozy, so weak, that I thought I was going to die. Staying at a hotel in London during a publicity tour, I vividly remember thinking, I can’t keep up or think or breathe, much less try to be charming. I sipped on morphine in between interviews. The pain was there, and the fatigue was like the worst exhaustion I’d ever experienced, multiplied by a million. And, let’s face it, I’m an actor. Vanity comes with the job. I spent way too much time thinking about how I looked. If all this weren’t enough, I seemed to whack my head every time I tried to get in a taxi.
Read: George R. R. Martin on his “Song of Ice and Fire” series.
The reaction to Season 1 was, of course, fantastic, though I had very little knowledge then of how the world kept score. When a friend called me exclaiming, “You’re No. 1 on IMDb!” I said, “What is IMDb?”
On the first day of shooting for Season 2, in Dubrovnik, I kept telling myself, “I am fine, I’m in my twenties, I’m fine.” I threw myself into the work. But, after that first day of filming, I barely made it back to the hotel before I collapsed of exhaustion.
On the set, I didn’t miss a beat, but I struggled. Season 2 would be my worst. I didn’t know what Daenerys was doing. If I am truly being honest, every minute of every day I thought I was going to die.
In 2013, after finishing Season 3, I took a job on Broadway, playing Holly Golightly. The rehearsals were wonderful, but it was clear pretty soon that it was not going to be a success. The whole thing lasted only a couple of months.
While I was still in New York for the play, with five days left on my SAG insurance, I went in for a brain scan—something I now had to do regularly. The growth on the other side of my brain had doubled in size, and the doctor said we should “take care of it.” I was promised a relatively simple operation, easier than last time. Not long after, I found myself in a fancy-pants private room at a Manhattan hospital. My parents were there. “See you in two hours,” my mum said, and off I went for surgery, another trip up the femoral artery to my brain. No problem.
Except there was. When they woke me, I was screaming in pain. The procedure had failed. I had a massive bleed and the doctors made it plain that my chances of surviving were precarious if they didn’t operate again. This time they needed to access my brain in the old-fashioned way—through my skull. And the operation had to happen immediately.
The recovery was even more painful than it had been after the first surgery. I looked as though I had been through a war more gruesome than any that Daenerys experienced. I emerged from the operation with a drain coming out of my head. Bits of my skull had been replaced by titanium. These days, you can’t see the scar that curves from my scalp to my ear, but I didn’t know at first that it wouldn’t be visible. And there was, above all, the constant worry about cognitive or sensory losses. Would it be concentration? Memory? Peripheral vision? Now I tell people that what it robbed me of is good taste in men. But, of course, none of this seemed remotely funny at the time.
I spent a month in the hospital again and, at certain points, I lost all hope. I couldn’t look anyone in the eye. There was terrible anxiety, panic attacks. I was raised never to say, “It’s not fair”; I was taught to remember that there is always someone who is worse off than you. But, going through this experience for the second time, all hope receded. I felt like a shell of myself. So much so that I now have a hard time remembering those dark days in much detail. My mind has blocked them out. But I do remember being convinced that I wasn’t going to live. And, what’s more, I was sure that the news of my illness would get out. And it did—for a fleeting moment. Six weeks after the surgery, the National Enquirer ran a short story. A reporter asked me about it and I denied it.
But now, after keeping quiet all these years, I’m telling you the truth in full. Please believe me: I know that I am hardly unique, hardly alone. Countless people have suffered far worse, and with nothing like the care I was so lucky to receive.
A few weeks after that second surgery, I went with a few other cast members to Comic-Con, in San Diego. The fans at Comic-Con are hardcore; you don’t want to disappoint them. There were several thousand people in the audience, and, right before we went on to answer questions, I was hit by a horrific headache. Back came that sickeningly familiar sense of fear. I thought, This is it. My time is up; I’ve cheated death twice and now he’s coming to claim me. As I stepped offstage, my publicist looked at me and asked what was wrong. I told her, but she said that a reporter from MTV was waiting for an interview. I figured, if I’m going to go, it might as well be on live television.
But I survived. I survived MTV and so much more. In the years since my second surgery I have healed beyond my most unreasonable hopes. I am now at a hundred per cent. Beyond my work as an actor, I’ve decided to throw myself into a charity I’ve helped develop in conjunction with partners in the U.K. and the U.S. It is called SameYou, and it aims to provide treatment for people recovering from brain injuries and stroke. I feel endless gratitude—to my mum and brother, to my doctors and nurses, to my friends. Every day, I miss my father, who died of cancer in 2016, and I can never thank him enough for holding my hand to the very end.
There is something gratifying, and beyond lucky, about coming to the end of “Thrones.” I’m so happy to be here to see the end of this story and the beginning of whatever comes next.
